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2010, Jan 19
About Street Level Japan

I would characterize a lot of my blogging from last year as a report of getting my bearings in Tokyo; hence the posts about stores, galleries and other things “on the ground.” At this point, I’m more interested in writing about the work that’s being produced here, and the culture supporting it. Above all, I want to think about the dialog between Japanese photography and foreign (especially Western) countries, and to add something productive to this conversation.

Anyone who visits Japan in general, and Tokyo in particular, will be struck by the level of photographic activity here: it bears repeating that the sheer number of photo magazines, camera stores, photography-focused galleries and bookstores, not to mention photographers, is impressive on its own. Yet for all of this activity—happening at “street level,” let’s say—very little of it is transmitted* abroad.

When I went back to San Francisco around New Year’s, I spoke to someone who works with Japanese photography in a professional capacity. This person said that they got most of their information about photography in Japan by hearing about or seeing exhibits in America. This seems obviously problematic: reaching an American gallery requires a level of backing available only to a few photographers. It shouldn’t be that hard for Japanese photographers to reach an American (or British or…) audience, especially when so much compelling work is being produced here.

This blog is not a crusade on behalf of Japanese photography as if it were a greatly neglected photographic tradition. Foreign audiences are already quite familiar with at least a few Japanese photographers—usually men born before 1940. These names (Moriyama, Araki, Tomatsu, Hosoe, Kimura, etc) shouldn’t be ignored, but I would like to move forward positively from this base. Let’s keep our eyes open.

*I have no special knowledge of Japanese culture, and no interest in speaking about the “Japanese-ness” of anything. The farther I can distance myself from any kind of cultural “translation” the better. Whatever I write here is going to be distorted by my own experience in Japan, but I want to focus on presenting things as clearly as possible—“transmit” instead of “interpret.” For armchair cultural analysis you can read pretty much any other blog about Japan! (edit: tokyo damage report and mutantfrog travelogue are exceptionally good though)

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Interesting post! (And an interesting blog in general!) One of the japanese photgraphers – apparently of a younger generation than the born-pre-1940-people you mention – I like is Yamasaki Ko-Ji; I’ve been following him for years and am impressed by the consistent high quality and vision there. Perhaps photoblogging, such as Yamasaki Ko-Ji’s, is a way for us outside of Japan (I’m in Sweden, have never been to Japan), to pick up something of this rich photographic activity you write about?

Hey Gustav, it’s true that between Flickr, Tumblr and his website, Yamasaki Ko-Ji has a really well developed internet presence, which allows people to follow him easily. Aya Takada (http://www012.upp.so-net.ne.jp/aya_takada/index.html) is also very active online. But they are exceptions; for the most part I don’t think many photographers in Japan have made a big push towards blogging for an overseas audience, and you might be surprised how many people just don’t have websites.

Been reading your blog for a while and love it! And now I’m even more fond of you, cause I very much like the idea that you have “no interest in speaking about the ,Japanese-ness’ of anything”. most foreigners who come to Japan spend their whole time pointing at cultural differences and meanwhile forget what really matters… Cheers from Germany

aww. “sunkus” und viel gluck mit dienem Blog!

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