A couple of weeks ago I saw Naoya Hatakeyama’s latest exhibit, “Natural Stories,” at Tokyo’s Metropolitan Photography Museum. Hatakeyama is from Rikuzen-Takada, one of the villages which was devastated by the tsunami this March. I don’t have the time or space here to explain why these photos were so great, but along with ROLLS TOHOKU, they are the only photographs taken of post-3/11 destruction I’ve seen so far which are “good,” strange as it is to use that word here.
With Hatakeyama’s blessing, I took some cell phone shots of the exhibit, but I don’t think it makes any sense to post them here. If you’re in Tokyo, you should go, the exhibit is up through December 4. I think it’s going to travel after that, first to Amsterdam and then maybe eventually San Francisco. I’ll try to keep an eye on the work and see if a book comes out, though I have a feeling that will not happen anytime soon.
Hatakeyamas work on the limestone quarries shows his great sensitivity in describing landscapes and nature. I would really like to see his approach to this difficult subject.