Last week I wrote a post on Seiji Shibuya for La Pura Vida, talking mostly about his recent photobook “Dance.” I liked the lightness of the photos, and for the “Dance” exhibit, Shibuya went as far as to write a very coherent statement explaining why he put together such an un-“serious” book.
Shibuya also held a second photo exhibit at Akaaka’s gallery, “Flame.” Here are some photos from the exhibit:
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Some photos were hung on the walls, but this table was the centerpiece of the exhibit.
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The photos of these flowers were shot just a couple of weeks ago, in Miyagi, an area heavily damaged by the tsunami.
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It’s my first time to see a show presented like this. It looks like pins have been driven through the photos, but actually, each photo is sitting on top of four metal posts, with a small magnet placed on top.
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I thought this photo in the center might have also been taken in Miyagi, but it was actually taken at the funeral of Shibuya’s grandmother.
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“Flame.”
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This was taken at Shibuya’s talk event. He has a good way of speaking in public, the word I would use is “measured.” He’s on the left, though I guess you can’t make out his face, or the Budweiser that he and the moderator were drinking. That was also a first, I’m glad to see Tokyo’s photographic community beginning to rally around this fine beer.
This looks kind of great. A really interesting presentation of the work. I’m curious to know why this was put on tables (to be looked down on) rather than on a wall. In your opinion would the presentation work if it were done on the wall or does the table add something to the experience? More importantly however, I want to express my dismay at the news that people are drinking Budweiser at gallery openings in Tokyo… or anywhere really. When did this worrying trend begin?